A feature, with room for a picture
It asks you for
A title, a description, a short badge line, and an image you can nudge so the part that matters stays in frame.
Graphics
One place in the workspace for making pictures, with two ways in. Fill in a layout and it renders a finished image carrying your logo and your business name, with no key and no account with anybody. Or open the chat, say what you want, and draw it on your own key. Both put what you make into the same library, filed under the brand that made it.
Graphics, close up
What goes in
Two ways through
Where it lands
What is travelling those lines
This is the same map as the one on the front of Solutions, zoomed into one surface. One way through needs nothing but your words. The other needs a key you saved yourself. Neither keeps a picture until you say so.
What it does
A feature highlight, a pulled quote, a promotional card, a blog cover, a link preview image, and a diagram of parts around a centre. Each asks you for its own fields rather than handing you one blank rectangle and a toolbar.
There is no separate preview that can drift from the result. The picture is taken from what you are looking at, at the size and file type you choose, and animations are frozen for the capture so the same design exports the same way twice.
The layouts read your logo and your business name from the brand record, and the logo goes where you say, in the light or dark version that suits the background. If it cannot be loaded the picture still exports with your business name set in type rather than a hole where the logo was.
Wide, tall, square or story. Ask a layout for a shape it was not drawn for and it snaps back to the one it was drawn for, rather than handing you something broken and letting you find out later.
On the blog cover and the link preview layout, point at a piece you have already written and the headline fields fill in from it instead of you retyping the title. Editing them afterwards changes nothing about the piece itself.
Send a picture into a new social post with itself already attached and the accounts its shape fits already ticked. Accounts it does not fit are left alone rather than quietly ticked for you. The draft is a plan, and the composer opens for you to write the words.
Describe what you want in a sentence. It is rewritten into a fuller description, with your business name and the rest of the conversation folded in, and that description is what gets drawn. The size asked for is the nearest one your chosen model genuinely accepts, so a drawing is not spent on a shape that gets refused.
A drawn picture arrives as a proposal, not a keeper. It becomes part of the library when you accept it, and the description and tags go on at that moment. What you do not accept stays out of it.
The layouts
This is the half that needs nothing from anybody. Pick the layout for the job and the panel asks you for what that job needs, and not for anything else. Every one of them can be built wide, tall, square or as a story, apart from the link preview, which is drawn for the single shape that matters where it gets used.
It asks you for
A title, a description, a short badge line, and an image you can nudge so the part that matters stays in frame.
It asks you for
The words, who said them and their role. Add their photograph, or let their initial stand in for it.
It asks you for
A title, a line under it, an icon for the middle, and the pieces that sit around it, each with its own icon and label.
It asks you for
A heading, a line under it, a badge, and a figure you want noticed, with its own label and icon.
It asks you for
A title, a category and an author. Or point it at a piece you have already written and let it fill them in. Reads left to right or right to left.
It asks you for
A page title and a description, or the piece itself. Drawn for the one shape that matters there, so it is not offered in any other.
One shape only
One accent runs through whichever layout you pick, chosen from a set the layouts are drawn to sit well with. What your brand record contributes to the finished picture is your logo and your business name, and the picture is built in front of you rather than queued somewhere and returned later.
Where this sits
A picture is almost never the point on its own. It is the cover for something you wrote, or the image on a post you are about to send, and both of those live next door.
The blog cover and the link preview layout read their headline straight out of a piece you have already written, so the picture and the words start from the same place instead of drifting apart.
Read ContentA finished picture can start a social post with itself attached and the fitting accounts already ticked, and the draft points back at the picture it was made from, so the post and the image stay one thing.
Read PublishingEverything you make here lands in the workspace storage as a real record owned by one brand, tagged as it saves and findable later, rather than as a file in a downloads folder.
An agent can list the pictures you already have. That is the whole of it. There is no tool that opens a chat, draws, accepts or renders a layout, so making one is done by hand.
Read Your agentYours to keep
Every one of these we would choose again.
No picture is rendered, saved or kept without somebody clicking. There is no scheduled run and no bulk job quietly filling your library while you are asleep.
It joins the library when you accept it and not a moment before. What you do not accept stays out of it entirely, so nothing you did not choose is filed under your brand.
The chat runs on a key you saved in your own workspace, against your own account with the provider. Take it away and the layouts carry on working exactly as they did.
The layouts have never needed a key, an account with anybody, or a wait. That is not a fallback for when something else is missing. It is the way most pictures here get made.
Tags are checked against the picture's own brand before they are attached, so one brand's vocabulary cannot be pinned to another's work.
The settings ride inside the picture's own record. There is no second file to keep in step, nothing to lose, and next week's starts from this week's.
Questions
Keep reading
Where the words a cover pulls from are written.
Where a finished picture goes out from.
What an agent is allowed to do, here and everywhere else.
Open the workspace, do one real piece of work in it, and the joins will show you the rest.